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The metal thread

Music, gigs, podcasts and radio shows, gems of audio delight.

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Re: The metal thread

Postby Sticky » Thu 17 May, 2012 11:46 pm

OK, good. Now I don't feel so bad. :D

Also, I don't know why I didn't see your comment earlier, DasLankyGooglEye. (Cand I just call you DLGE for short?) I do listen to Eisbrecher, and I rather like them. :]
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Re: The metal thread

Postby DasLankyGogglEye » Fri 18 May, 2012 8:46 am

You can call me DLGE, or mush calls me Lanky, whatever works.

Glad you like 'em.
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Re: The metal thread

Postby Sticky » Fri 18 May, 2012 4:52 pm

Actually, I like Lanky better. We'll go with that.

Anyway, I wanted to ask, since you knew Eisbrecher. Do you listen to Megaherz as well?
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Re: The metal thread

Postby mushroommai » Fri 18 May, 2012 7:05 pm

Lanky is definitely the way to go! :D

edit: and since this is the metal thread, does anyone know anything about moonspell?
I had a flashback from my teens of listening to 'Luna' and I don't think I ever bothered with any of their other songs. But Luna was so beautiful!
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Re: The metal thread

Postby it's_a_foodage » Fri 18 May, 2012 7:08 pm

lol, there are girls in here
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Re: The metal thread

Postby DasLankyGogglEye » Fri 18 May, 2012 11:04 pm

it's_a_foodage wrote:lol, there are girls in here


Inorite, and they're more brutal than you.

Sticky: Show me Megaherz's best. Post a linky.

Mushy: Never heard of Moonspell. Link?
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Re: The metal thread

Postby mushroommai » Fri 18 May, 2012 11:11 pm

I love this song, but it's the only one by them I've heard.
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Re: The metal thread

Postby ike » Fri 18 May, 2012 11:19 pm

I remember Moonspell, I believe I saw them supporting Lacuna Coil at the Astoria back in 2003 (before it was knocked down), I wasn't too fussed with them.
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Re: The metal thread

Postby DasLankyGogglEye » Fri 18 May, 2012 11:25 pm

Aw. I miss the Astoria. I saw Fear Factory there.
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Re: The metal thread

Postby Dam Helder » Fri 18 May, 2012 11:28 pm

ENOUGH TALK LETS MUSIC

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Re: The metal thread

Postby it's_a_foodage » Fri 18 May, 2012 11:29 pm

My first gig (without my parents) there, InMe.
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Re: The metal thread

Postby it's_a_foodage » Fri 18 May, 2012 11:33 pm

Music:

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Re: The metal thread

Postby ike » Sat 19 May, 2012 12:09 am

it's_a_foodage wrote:My first gig (without my parents) there, InMe.

Funnily enough, InMe have just been confirmed to play a free 3-day event at a local pub in Chelmsford.
http://www.thisistotalessex.co.uk/InMe- ... story.html

I remember the days when they were relatively big.
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Re: The metal thread

Postby it's_a_foodage » Sat 19 May, 2012 10:18 pm

I've only just got up to date with the Black Sabbath thing. Seems they've cropped him out of all the photos on their website.

http://www.blacksabbath.com/gallery.html?ga=11&pg=1

I guess Tony is dealing with his own shit at the moment, but Ozzy and Geezer should really grow some balls and put things right here.
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Re: The metal thread

Postby ike » Sun 20 May, 2012 2:23 am

Yeah I've been following it all as it gradually unfolded... To be honest I was actually expecting them to have sorted it all out by now and a last-minute 'surprise' announcement confirming Bill Ward as playing the reunion shows to have happened, but then Bill Ward issued this statement a few days ago....
http://www.billward.com/2012/05/stateme ... ath-shows/
[Reveal] Spoiler:
Dear Sabbath Fans and Fellow Musicians,
I sincerely regret to inform you that after a final effort to participate in the upcoming Sabbath shows a failure to agree has continued. At this time I have to inform you that I won’t be playing with Black Sabbath at the Birmingham gig dated May 19th, 2012, nor will I be playing at Download on June 10th, 2012. Further, I will not be playing at Lollapalooza on August 3, 2012.
It is with a very sad heart that I bring you this news. I am sincerely passionate in my desire to play with the band, and I’m very, very sorry that it’s fallen to this. This statement is even more painstaking to write, as I was particularly excited to play alongside Tony Iommi after the recent treatments he underwent. I wanted that to become a reality.
To express my thoughts about you, the Sabbath fans, I’m going to speak to you all through an experience my brother James had recently. My brother Jimmy lives in the U.K. When speaking with him a couple of days ago, he told me that an acquaintance had stopped him on the street and confronted him, “is your brother playing Birmingham? What’s going on? I waited in line with my son and paid x amount for the concert tickets.”
The man’s son is a young drummer. He’s going to see Sabbath, and he wants to see Bill Ward play drums. Upon hearing this news, I felt horrible. I couldn’t help feeling some resentment towards the failure to reach an agreement, the failure to remember where we came from, the failure to be as brothers, as we once were. To be clear, I’m not blaming the other guys or finding any faults with them. I would think it can’t be easy for them either, but this situation is just really sad. It’s sad that it’s come to this. “This” will surely leave a mark and be unwelcome to the memory. Hopefully “this” will heal and pass in time.
My heart sank when Jimmy told me about this young boy. I know this boy is going to be disappointed, and I don’t know how to amend it, other than to put my arms around the boy and tell him I love him. Sabbath fans have a voice and a face, to me you’re human, you have families and despair. You have ferocity and emotions and graciousness, and at this moment as far as I’m concerned you are also that young boy in England. I don’t know how to amend my part in these failings other than to put my arms around you and say I love you and let you know I’m very, very sorry.
Throughout this process, which began over a year ago, I have had to stand up for myself time and time again. I have had to stand up for myself and in doing so realize my actions indirectly, although unintentionally, are upsetting and hurting a lot of you. I know in my heart I couldn’t have done these concerts by agreeing the terms suggested. I made a solemn vow after the last European and Ozzfest concerts that I would never again enter into what was, in my opinion, a totally unsatisfactory contract. I have to stand for something, and as painful as it is, I’m doing it.
Earlier in April 2012, I’d been asked to participate “minimally” in the Download festival. I believe I’d been offered no more than three songs to play while another drummer presumably played the rest of the show with Black Sabbath. I was not willing to participate in that offer. I was not prepared to watch another drummer play a Sabbath set, while I was to play only three songs.
I found out about the Birmingham gig on Monday, April 30 through the Internet ad. I was taken aback somewhat by the date, and the fact it was Birmingham. Knowing the “signable” contract negotiations were at best in shreds, I was upset by the idea that the band was going to play Birmingham and play it assumedly without me. I had no prior knowledge of the date and location, and I felt totally excluded. We contacted the representative for Black Sabbath to see if something could be worked out. In the meantime my drum crew and I, along with our US endorsers, finished all the necessary planning for a swift departure to the UK. There wasn’t a whole lot to complete; we’d all been on standby more or less since mid-January 2012. The remaining work in the UK was confirmed done by our European and UK endorsers and we were good to go by Friday, May 4 2012. There were two stress points: firstly, getting an agreement in place, and secondly, getting to England in a timely manner. Jetlag time was taken into account as well as drum practice, a drum practice room in the heart of Birmingham, accommodation, and travel arrangements were all in place to meet with any band rehearsals that may have transpired before the Birmingham show. So far everything that had been arranged was on my dime, but we didn’t move ahead without a realistic confirmation.
Communications between the representative and my lawyer continued through the weekend of May 5 finalizing on Wednesday, May 9. The offer we received on May 9 was, “come to the UK, play for free and see how the first show goes.” I was tempted. Playing for free would not have been a problem for me, but “seeing how the first show goes” left an element of risk which could have affected Download. My ideal thought was to play in full the Birmingham show, in full Download, and in full Lollapalooza.
I had notified the representative that May 10 was my cutoff day in order to have good lead-in time for England. On the night of May 9 I asked for a brief letter to be sent to the representative asking to find out if we were at an end. On the morning of Thursday, May 10, I received a reply in the affirmative. After consulting with my advisors and crew a decision was made to let go and stop.
I can’t prioritize the Sabbath fans making one show more important than the other. I can’t do that. All of you are important. It’s all the gigs or none at all. I can’t come to Birmingham and “see what happens” knowing there is a risk of not being able to play Download or Lollapalooza. Again, for me, it’s all or nothing. I had to say “no” to Birmingham on the principle of wanting to play all the shows. Saying no to Birmingham is very difficult for me. My family grew up in Birmingham. Black Sabbath grew up in Birmingham. It’s still my hometown and I resent having to arrive at such a difficult choice.
Although the statement was made that, “the door is always open” for me, as explained above, walking through that door is not always as easy as it sounds. There are many complicated issues and unseen and unspoken agendas on hand. I can assure you, my criteria for a “signable” contract is based in mindful principles, respectability, and acknowledgement of my history within the band.
I hold no malice or resentment towards the other band members. I love them; I’m tolerant of them; I’m frustrated with them, as they may be with me. My fight has never been with them. I’ll love them forever. In my opinion, nobody wins this time; the band doesn’t win; the fans for an original lineup don’t win. Nobody wins, nobody. Even the ones who thought they did.
I didn’t want to make this decision, but I have to be honest and transparent. This is the statement I didn’t want to write; it’s the last thing I wanted to do. But, I have written it, and now it can go into the universe.
Since Spring of 2011, I’ve waited patiently and hopefully for a signable contract, you know the rest. I stand for the boy in the U.K., for the coming drum student, for all the drummers, who write their parts out and get stiffed on the publishing, I stand with the Sabbath fans chanting “Bill Ward” and asking “why?” and I stand with Tony and Geezer and Ozzy.
On a final note, even though I’m at an end with the upcoming announced concerts, I will remain with an open mind and a position of willingness to negotiate “signable” terms with Sabbath’s representatives in the future.
Stay strong.
Stay safe.
With all my heart and strength, I love you,
Bill Ward


Which was then shortly followed with his photo being cropped out of all the 'classic' Sabbath pictures on the website (also interesting to note is the discography page only exclusively lists the albums with Ozzy singing, not the many albums they released afterwards...)

Then earlier on today I saw Geezer Butler issue a statement on his Facebook page about it all:
[Reveal] Spoiler:
I feel sad to see the Sabbath reunion becoming a bit of a soap opera on the internet. It has been a very tough year for us as a band, having announced our reunion plans, only for Tony to be diagnosed with lymphoma, leaving us no choice but to postpone the proposed Sabbath tour, and then for Bill to go public on his site about an un-signable contract. None of us knew how Tony was going to respond to his intensive chemo therapy, and radiotherapy. Ozzy and myself flew to England to be with Tony, and on his “good” days, we’d meet at his home studio and put ideas together for the upcoming album, all sitting down together, no drummer involved, just 3 of us quietly putting together ideas. We thought that when we had enough songs together for a full band rehearsal, we’d move back to L.A and put the whole thing together with Bill. Unfortunately, to our surprise, Bill issued a statement on his site saying he’d been offered an un-signable contract. He hadn’t told any one of us he was having contractual problems, and frankly those things are worked out between our representatives, and never between the four of us let alone in public. We had the idea of keeping just one show in this year, hoping that Tony would be well enough for that show, and that things with Bill would be sorted. As you may expect, a one off show at Donnington Festival (Download) costs an absolute fortune to stage, involving over 50 people, transport, air fares, hotels, meals, agents, promotors, accountants, lawyers etc, so none of us, expected to make much money from it- it was a one off Sabbath show for the fans, before we go into recording the new album. Apparently, this wasn’t acceptable to Bill’s representatives, they wanted an amount that was so unrealistic that it seemed to have been a joke. So we resigned ourselves to doing Download without Bill, hoping he’d change his mind and at least make a guest appearance. We started rehearsals a few weeks ago with Tommy Cluefetos, the drummer who will be on the Ozzy and Friends Tour. Brilliant drummer and good bloke. It was decided we’d better do a warm up show, to break the ice since we haven’t played together live. The O2 Academy was available in Birmingham, where we were rehearsing, so we decided on that, and to make a donation to Help For Heroes Charity, since we’d be ironing out any glitches we may have. Then Bill put out a further statement saying he’d been ready to play the Birmingham show , but he was expected to have to do it “for free”- well, I think that’s basically how you raise money from gigs for charity – you play them “for free”.

All I am saying is that there are two sides to everything. I do hope to play with Bill again some day. For whatever reason; it wasn’t meant to be this time. Bill’s made his decision, and I have to respect that. Hopefully this painful year will be worth the wait for the new Sabbath album and end in joy and happiness for all.

Stay frosty,
Geezer


So, really... I don't know who to believe.
Bill Ward's statement did seem genuinely humble, and implied that he was being given the short end of the stick and was just sticking to his principles, after being offered to play for free or only play for a couple of songs per show.
But, then Geezer's response states that Bill was asking for unreasonably more than he could have, and wanted paying for a charity gig whilst the rest were playing for free....

I can't imagine Geezer, Iommi or Ozzy have any dealings with the Sabbath website so I couldn't fathom why Bill's photos have been airbrushed from the site (Although the name Sharon does spring instantly to mind, wouldn't be the first time she's pulled something like this ).

This was just posted on the Sabbath Facebook page not long ago, though. Stating it was at the request of Bill himself...
Black Sabbath/Bill Ward Photo Statement

"At the request of Bill Ward, through his attorney, so as to not give the public the wrong impression about his involvement in the current Black Sabbath lineup, we have temporarily removed Bill Ward's images from the main pages of the blacksabbath.com official website. In accordance with Bill Ward's attorney's request, we are doing so for the duration of the forthcoming shows." BLACK SABBATH
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