
RUSH - CLOCKWORK ANGELS
If you think words like "progressive", "pretentious", or "concept album" are inherently negative and horrible and make you want to lock yourself in a closet with Steve Malkmus, you may safely avoid reading any of this, as you'd hate this album anyway.
If you completely love Rush and feel they can do no wrong, you may safely avoid reading any of this, as it contains criticism and you'll hate this review anyway.
I am, admittedly, a "mental fan" of Rush, which is why I listened to a leaked copy before it came out. However, I tried to be as objective as possible - for review purposes, I thought, "would I recommend this album to, say, Dam Helder?" The answer was fairly easy to arrive at - and it was no.
Rush haven't done a big "concept thing" since 1978, but that's how they've been branded, so they decided to embrace it by having the whole album tell a story in the "steampunk" style. As a result, drummer/lyricist Neil Peart got trapped in the quagmire of abusing the phrase "in a world", and the vocal melodies often feel shoehorned as a result of Peart's penchant for writing squared-off verse where lines rhyme with precision and have set structures.
The thing that saves the album, if you're into musicianship, is that there are some moments with top-notch playing: vocalist/bassist Geddy Lee going MENTAL on the bass, Alex Lifeson having some real soaring moments on guitar, and as always, Peart's drum lines and fills are mind-blowingly complex and precise. However, if the average person, not initiated in The Rush World were to listen to parts of this album and turn to me and say "you actually like this?" I know I'd cringe and say "I know...I know..."
Anyway, as I said I'm a mental fan and I'll probably let it grow on me...but I know deep inside I'm lying to myself. At least it's an excuse for them to tour - and they're still a great touring band...
4/10







